Photography has been a constant in my life.

I’ve worked in tourism, film and television production, hospitality management, real estate, private banking, and event planning — but through all of it, there has always been a camera nearby.

Sometimes photography was my profession, sometimes it ran quietly alongside other roles, and sometimes it was simply how I made sense of the world. My career has taken me from the Bahamas Ministry of Tourism to managing Pineapple Fields Resort in Eleuthera, and later serving as Island Director on the opening team for Disney’s Lookout Cay at Lighthouse Point. Earlier on, I worked behind the scenes in locations, casting, and production on films including Casino Royale, After the Sunset, The Other Woman, and Duplicity.

Over the past 20+ years, I’ve photographed over 400 events - everything from intimate backyard and beach weddings to elegant, sometimes over-the-top celebrations at venues such Albany, Lyford Cay, Four Seasons Ocean Club, Squires Estates, The Cove, Pink Sands Resort — always with a documentary, story-first approach that feels natural and unforced.

Different industries. Different scales. But always centered around people. That’s really been the thread — people.

How they move through spaces.

What makes them feel welcome.

What makes something memorable.

I started photographing at thirteen when film cameras were still a "think" and over many years spent long, memorable afternoons and evenings in a darkroom, processing my own negatives and watching images slowly emerge on paper. There was something awe-inspiring about that slow reveal. That patience — that quiet attention of how light was captured and displayed — still shapes how I work today.

Travel has shaped me too. I’ve wandered through many parts of Asia, Central America, and Europe, hiked the Lake District, camped in Scotland, kayaked across remote lochs, and foraged for mushrooms in quiet UK woodlands.

At home in Eleuthera, you’ll usually find me on the water with a kayak or paddleboard, or walking a trail at sunrise, camera not far from reach. I'm a huge community advocate so at some point in time I'll also be nudging here and fundraising there for projects to bring into the community.

Whether I’m photographing a wedding, a family, or a place, I’m always looking for the same thing: the feeling beneath the moment. The quiet in-between. The way light falls when no one is paying attention. Because for me, photography has never just been about images. It’s about noticing. And holding on to what matters.